Subconscious Colorplay
The Non-Objective painting I started has progressed during the work on the Bob Pedroncelli portrait. Remember I'm using pigments that are left on my brush after I do whatever I'm doing on the "Conscious" work underway. I try to wipe it off all sides of the brush and let my subconscious determine the flow of strokes and their placement within the composition. I've had the canvas in the upper orientation during this particular work period, but I find it says more inverted to this position. It feels kind of landscape-ish this way. What do you think?
The Non-Objective painting I started has progressed during the work on the Bob Pedroncelli portrait. Remember I'm using pigments that are left on my brush after I do whatever I'm doing on the "Conscious" work underway. I try to wipe it off all sides of the brush and let my subconscious determine the flow of strokes and their placement within the composition. I've had the canvas in the upper orientation during this particular work period, but I find it says more inverted to this position. It feels kind of landscape-ish this way. What do you think? 
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